#HOW MANY COMPUTER PER LICENSE FOR NIKON CAMERA CONTROL PRO 2 SERIAL NUMBER#
This would explain why you received no factory warranty card with the lens the serial number printed on the warranty card at the factory, would not match the number on your lens. It appears that the lens you received is a "Gray Market" lens, and has been tampered with having its serial number changed. The lens you received has a serial number which has not been issued by Sigma’s factory in Japan. The lens I received is a XXmm f/XX lens for my XXXXX brand camera, and has serial number #233XXXX. I’m uncomfortable about this situation and am asking you to confirm this. When I inquired to the dealer about this, he told me not to worry as Sigma will still honor the warranty. When I received the lens I noticed that it came without a warranty. I recently purchased a new Sigma lens from a dealer. These can be invaluable for general photography including extreme close-ups, while carrying only one lens around. 70-300mm F4-5.6 DG Macro) which combine reproduction ratios up to 1:2 with the convenience and versatility of a zoom lens. Greater working distances are useful when photographing animate subjects which may become evasive or aggressive if approached closely by a photographer. Longer Macro lenses like the 180mm f3.5 EX APO Macro can allow even greater working distance while still providing up to 1:1 reproduction. The 105mm f/2.8 EX Macro lens can also be useful for portraiture. These are desirable for photographing inanimate or slow moving subjects or for copy work. The shorter lenses, 50mm and 105mm provide greater magnification (reproduction ratio) capabilities (1:1 without accessory), and shorter working distances. The choice of which lens to use depends on the application. 1:3, 1:2, 1:1, etc.) Sigma offers more lenses with macro capabilities than any other lens or camera maker. Macro lenses are those which can focus unusually close, providing large reproduction ratios (e.g. To find out more information, consult the USB dock page. In 2013 Sigma introduced our Global Vision lens line along with the USB dock, an accessory sold separately allowing you to calibrate the AF Data of any Global Vision lens.
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During the Warranty period of the product (subject to warranty eligibility), there is no charge for this service and we cover the cost of the return 3 day ground shipping back to you. This will be done within a 48 hours of receiving your equipment in our headquarters 15 Fleetwood Ct. If this feature is not available in your camera’s menu we will ask you to send the lens to us and we will rewrite the AF Data to accommodate for the variation in your camera’s viewfinder focusing system essentially, calibrating your lens to your camera. If you are experiencing front and/or back focusing issues, we urge you use the “AF fine tune” or “Microfocus Adjustment in your camera’s menu to calibrate your lens to the camera. This is a quick solution to this situation. The issue of front and/or back focusing, most likely, comes as a result of the viewfinder focusing system which varies in each and every camera. In the majority of cases, there is nothing wrong with your lens each lens is manufactured in exactly the same way and adjusted on an optical collimator which is used to calibrate the lens, check if all elements are aligned optically and to set elements at the proper focus. Please do not panic and do not return your lens. However, the histogram distribution of a well-exposed image will vary greatly depending on the subject.
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A histogram with a fairly even distribution of pixel values usually indicates that the image is well exposed, with good contrast. When the histogram runs off the right side, the image will have many white pixels-either because the image is overexposed or because it is a bright scene such as the beach or snow. When the histogram is higher on the left side, the image is mostly composed of dark pixels, causing it to appear dark-either because the image is underexposed or because it is a dark scene such as night shot or sunset. By examining the histogram you can gauge the over-all exposure of an image. The vertical axis shows the proportion of pixels at each level of brightness.
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The horizontal axis shows the brightness level (from 0 to 255), with darker pixels towards the left side and brighter pixels toward the right. A histogram is a graph depicting the distribution of brightness values in the image.